Film Programme at Jameel Arts Centre: Yesterday Was Like This in Dubai
Yesterday Was Like This in Dubai is a new film programme curated by me for Jameel Arts Centre, in conjunction with the exhibition Off Centre/On Stage curated by Todd Reisz, featuring photos of Dubai dated from 1976 to 1979.
Five short films will play back to back in the following order, on a loop during the opening hours of Jameel Arts Centre.
These Are the Trucial States (World Wide Pictures, 1958, Documentary, 14 min, Arabic with English subtitles)
Pearls of the Persian Gulf: Dubai (Kamran Shirdel, 1975, Documentary, 39 min, Persian with with English subtitles)
Back in Dubai: Promotional video for the 27th World Chess Olympiad, Dubai (1986, 4 min, English)
Between Two Banks (Nujoom Al-Ghanem, 1999, Documentary, 17 min, Arabic with English subtitles)
Trypps #5 (Dubai) (Ben Russell, 2008, Experimental, 3 min, Silent)
Featuring films made between the 1950s and 2000s, ranging from corporate documentaries to artists’ films, including one TV promotional clip, it’s a presentation of how the UAE, especially Dubai, is depicted in the medium of moving image, and invites viewers to consider the accompanying narrative and common tropes that have carried on over the past six decades.
The screenings are on until March 21 and entry is free. Off Stage/On Centre ends on the same day too.
The duration of the entire film programme is 77 min and will be on a loop during the opening hours of Jameel Arts Centre, in Gallery 9 on the 2nd floor.
Daily 10am-6pm / Friday 12 noon- 8pm / closed on Tuesday
NOTE: Jameel Arts Centre will be open on Tuesday, March 8 and Friday, March 11 between 10am-6pm.
The following is an introduction text by me about the films that was written for Jameel Arts Centre website. You can also collect a printed version in Gallery 9.
Introduction: Yesterday Was Like This in Dubai
The city of Dubai projects an image of perpetual change and newness, and a look to the future—a narrative that dates back to the 1950s. But just as things change, much remains the same: the way the city is marketed; the way it is represented and packaged as a holiday destination, as a business opportunity, or as a home. If history repeats itself, then so does the story of Dubai.
The depiction of Dubai in film—be it cinema, advertising, or even music videos—includes recurrent tropes and motifs that reinforce certain stereotypes, often with little or no nuance.
One of the first films to feature Dubai, even before the establishment of the United Arab Emirates, is These Are the Trucial States. Shot between 1957 and 1958, this short documentary—funded and produced by the British government, and filmed by World Wide Pictures, a British production company—is a propaganda film with clear references to but also explicit departures from earlier decades of colonial cinema.
Pitched by Peter Tripp, Political Agent in the Trucial States, who was stationed in Dubai at the time, These Are the Trucial States is narrated in Arabic but was initially scripted in English by him.
It highlights the different emirates — with Dubai already being hailed as a centre of trade—and showcases the leaders of each, depicting an idyllic image of harmonious living. In parallel, the film documents the development of infrastructure, including health, education, transportation and accommodation—then paid for by the British government—for a prosperous future. Further reading about this film can be found in Todd Reisz’s book Showpiece City: How Architecture Made Dubai.
(You can also listen to my discussion with Todd about the book and the exhibition Off Centre / On Stage on the Tea with Culture podcast.)
A similar narrative, albeit from a non-Western gaze, can be seen in the visually rich 1975 documentary Pearls of the Persian Gulf: Dubai by Kamran Shirdel, one of Iran’s most influential documentary filmmakers. In the early 1970s, Shirdel travelled around the Gulf making documentaries about the changes that the region was undergoing, having been commissioned by the Iranian Ministry of Culture.
In Dubai, he documents the development of the city and shows Dubai’s ruler at the time, Sheikh Rashid bin Saeed Al Maktoum, and his son, Sheikh Mohammed bin Rashid Al Maktoum, Dubai’s current ruler. Despite Shirdel’s close access to the leaders, a scene where a man walks towards the camera and asks to stop filming a private banquet is a reminder of the controlled narrative of the city. The title of this film programme Yesterday Was Like This in Dubai comes from this film.
Promotional films in the form of music videos are perhaps a lighter and even more digestible way to market a city, similar to the even shorter promo videos we see on social media, produced by the likes of Visit Dubai and by hired influencers and celebrities. Played on Dubai TV’s Channel 33, Back in Dubai was a promotional video produced for the 27th World Chess Olympiad, held between November 14 and December 2, 1986, at the World Trade Centre in Dubai.
Featuring the song Back in Dubai (1978) by Sal Davis and the lyrics below, the video is a supercut of the best of the city, including the skyline of the city’s then-downtown, Deira, as well as many motifs that are still present. It is not very different from the video that is played on the Emirates flights before landing in Dubai.
Back in Dubai
There’s a sun
And it shines there all the time
Going home
To the smiles
On the faces of kids who remind me
Dubai is mine
A more personal reflection on the city and its transformations can be seen in one of Nujoom Al-Ghanem’s early short films from 1999. Between Two Banks is about Khamees Marzooq, one of the last remaining rowing boatmen transporting passengers on Dubai Creek, whose boats would eventually be replaced by the newer and faster motorboats.
A contemporary rumination about Dubai is told through a three-minute silent still frame of a flickering neon shop sign in Trypps #5 (Dubai) by the artist and filmmaker Ben Russell. The missing letters of the word “happy” become a poignant encapsulation of all that is present and absent or obscured in this city.
